Articles

Film Review: Calvaire (The Ordeal)

CALVAIRE (originally tilted THE ORDEAL)(Belgium/Luxembourg/France 2022) ****
Directed by Fabrice du Welz

 

 

These few weeks sees the opening of a number of horror films, many streaming also on Shudder, the horror streaming service.  Among them are the really nasty SPOONFUL OF SUGAR, NOCEBO from the  Philippines and Ireland and HUESERA, THE BONE WOMAN from Mexico and the found footage low-budget horror THE OUTWATERS,  Joining the ranks of these horror flicks is what might arguable be the best of the lot, a neat little low budget cult film way back from 2004, from then first time feature director Fabrice du Welz who wrote the screenplay with Romain Protat, best known as Gasper Noe’s cinematographer for IRRESISTIBLE, which is currently enjoying a rerun.

The protagonist of the story is a travelling singer called Marc Stevens (Laurent Lucas also seen in various suspense classics like Dominik Moll’s LEMMING) . Marc is a lonely, rather handsome man, first seen using makeup in his dressing room before singing on stage with his costume that includes a cape like a lonely action super-hero.

Nothing much appears to happen at first, but it is these sparseness of events that makes the atmosphere of the film scary, like a nightmare.  The protagonist is Marc (Laurent Lucas), a lonely man on the road.  There is hardly anyone around him.  When his van breaks down, he cannot find the innkeeper, Mr. Bartel (Jackie Berroyer), who at first seems jovial but then transforms into something else.  The inn is in a remote place in the country.  The man that shows Marc the inn, Boris, has lost his dog Bella.  Everyone in the story appears lost and nothing would satisfy them.  There is so much space that there is nowhere to run.  When the film opens, Marc has just performed in an old aged woman’s home and all the lonely ladies are making sexual advances on Marc who drives away alone in his van, relieved. They all meet by coincidence.  When humans live a lonely life, they are unmoderated by a spouse or another human being, and they can turn out pretty weird and exhibit odd behaviour.

Because of the film’s setting in hillbilly country backwoods, the film (which is set in the swampy Hautes Fagnes region of Liège), has a feel and atmosphere of horror classics like John Boorman’s DELIVERANCE, Stephen King’s MISERY or THE TEXAS CHAINSAW MASSACRE and THE HILL HAVE EYES and even Hitchcock’s PSYCHO.   (The dinner ‘chat’ scene between mr. Martel and Marc was actually modelled after tan identical scene between Marion Crane and Alan Bates in the Bates Motel in Hitchcock’s 1960 PSYCHO, according to imdb trivia.

CALVAIRE (which was first released way back in 2004 premiering at Cannes and actually screened at TIFF Midnight Madness) opens in select theatres now re-mastered, beginning February 24th, followed by a release on Digital Platforms on March 3, 2023. A CALVAIRE collector’s edition BluRay is also slated for release from Yellow Veil Pictures.  A must-see horror cult classic for horror fans.

 

 

Trailer: 

Write comment (0 Comments)

Film Review: ASTÉRIX ET OBÉLIX: L’Empire du Mileu

ASTÉRIX ET OBÉLIX: L’EMPIRE DU MILEU

(ASTÉRIX AND OBÉLIX: THE MIDDLE KINGDOM)
(France 2022) ***1/2

Directed by Guillaume Canet 

 

The French get it right with their latest live action comedy of the Belgium-French favourite cartoon comic books of Asterix and Obelix written by René Goscinny and illustrated by Albert Uderzo.  This is the only film (there has been more than 15 such films, all animated except two other live-action) not based on the stories of the comic book or comic books and originally written for the film.

Read more: Film Review: ASTÉRIX ET OBÉLIX: L’Empire du Mileu

Write comment (0 Comments)

Film Review: Un Beau Matin

 

UN BEAU MATIN (ONE FINE MORNING)(France 2022) ***1/2

Directed by Mia Hansen-Love

 

Director Mia Hansen-Love (LE PERE DE MES ENFANTS) tackles once again her favourite genre of nuanced romantic relationships, this time between Sandra (Léa Seydoux) and best friend, but a married one, Clément (Melvil Poupaud), before they turn into best friends with benefits.  There are of course complications and baggage. Sandra works as a freelance translator, being an attentive single mother to her eight-year-old daughter (Camille Leban Martins), and caring for her father (Pascal Greggory), a retired philosophy professor slowly losing his sight, memory, and independence due to a neurodegenerative disorder.  It is her father that brings Sandra to tears so often.  Clement, however, is married with a son.  Director Hansen-Love is an expert in creating and developing emotional and realistic characters making UN BEAU MATIN immensely watchable and compelling.  The film premiered at the Toronto International Film Festival in 2022 and opens this week. A solid alternative for a Valentine’s Day Movie - French style.  The film won the Europa Cinemas Label (best European film in Directors’ Fortnight) at Cannes 2022

 

Write comment (0 Comments)

Film Review: Saint Omer

SAINT OMER (France 2022) ****
Directed by Alice Diop

Fresh from winning a top prize and the Venice Film Festival, this is one extraordinary narrative debut by acclaimed documentarian Alice Diop.  Her doc roots are evident in the film as there are lots of actors speaking to the camera just as interviewees do, especially in the long takes of the court sessions.  The incidents are never shown on screen but unfolds in the words of the actors, and more effectively so.  A young novelist, Rama (Kayije Kagame), is working on a contemporary retelling of the ancient Medea myth.  In Greek mythology, Madea is a mother who murdered her children.   Pregnant herself and increasingly uneasy, Rama’s own family history, doubts, and fears about motherhood are steadily dislodged as the life story of the accused woman, Laurence Coly (Guslagie Malanda), is gradually revealed. From a stern upbringing in Senegal to gradual isolation from family and society on her arrival in Europe, Coly’s experiences expose the traumas of racism and emotional manipulation that can remain unspoken while insidiously and irrevocably corroding a person’s well-being.  

Never has a film with so much dialogue been so exciting and compelling.  The courtroom drama played out by director Diop looks so much like a true crime drama.  SAINT OMER where the baby was drowned is west-northwest of Lille on the railway to Calais, and is located in the Artois province. The town is named after Saint Audomar, who brought Christianity to the area.

SAINT OMER has been awarded the Best International Feature by the Toronto Film Critics Association.

Write comment (0 Comments)

Récent - Latest Posts

More in Cinéma - Movies  

Recherche

Sur Instagram