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Film Review: La Passion de Dodin Bouffant

THE TASTE OF THINGS (THE POT-AU-FEU) (France 2023) ****

Directed by Anh Hung Tran

 


The film THE TASTE OF THINGS begins with an extended cooking scene amidst a breakfast that is enjoyed by both Eugénie (Juliette Binoche) and her boss of 20 years, Dodin (Benoît Magimel).  The audience is introduced to both Eugenie and Dodin as well as their two young helpers Pauline and Violette.  Though slow-moving and meticulously filmed, the total segment (not done with a single take but with frequent cuts, yet with the camera swirling around the kitchen) lasts more than 30 minutes and might require some patience to watch as well as to sit through this 2 hour-15 minute historical romance drama.  But the effort is well worth it.  From the gardens outside the residence where fresh vegetables are cultivated to the kitchen where all the stocks are made from scratch using exotic ingredients like crayfish, veal short ribs and quenelles, the film illustrates gastronomical delights.  Mouths will be watering as one can almost smell the fragrances of the cooking ingredients.  As the segment unfolds, the audience also learns about the couple.

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Film eview: Avant ques Les Flammes ne s'Eteignent

Avant que les flammes ne s’éteignent (AFTER THE FIRE) (France 2023) ***
Directed by Mehdi Fikri

 

Injustice against minorities is often favourite fodder for French films, (BATIMENT 5 (LES INDESIRABLES) and LES MISERABLES by Ladj Ly being prime examples.  In an immigrant French suburb of Strasbourg. Karim, a 25-year-old man, has died at the hands of the police. Devastated by the news, his estranged sister Malika (Camélia Jordana) reunites with her family, compelled to seek justice for her slain brother.  The police claim the death is due to an epileptic fit due to drug taking.  Strategizing with mentorly community organizer Slim (Samir Guesmi) and suave private lawyer Mr. Harchi (Makita Samba), Malika soon begins to face a courtroom battle with overwhelming media exposure, while contending with the growing chaos of her hectic everyday — missed daycare meetings, a failing business, and a strained marriage. But she and her siblings Driss (passionately played by rapper Sofiane Zermani, a.k.a. Fianso) and Nour (Sonia Faidi) are anchored by their renewed blood ties. Together they harness the fire of public outrage against a racist criminal justice system.  Director Fikri shows some sympathy for the authorities with the pathologist and the guarding police officer allowing Malika total photos of the bruises from the beatings of the dead brother’s corpse while also showing the judicial process and the court case preparations.  The sight of the bruised body also gets the emotions of the audience going.

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Film Review: A Mon Seul Desir

A MON SEUL DESIR (My Sole Desire )(France 2023) **

Directed by Lucie Borleteau

 

 

The Paris strip club À mon seul désir (My Sole Desire) is home to a mesmerizing troupe of seductive female performers.  Like a moth to a flame, newcomer Manon (Louise Chevillotte) is drawn to their sensual allure and adopts the stage name Aurore (name taken from The Sleeping Beauty).  Among her fellow dancers is audience favourite Mia (César Award winner Zita Hanrot), a beautiful, aspiring actress who moonlights at the club unbeknownst to her live-in boyfriend.  From identifying which clients she should avoid to booking private dances, Mia serves as a trusted guide on Manon’s erotic journey. But even as Manon begins to experiment with riskier propositions that Mia will not pursue, it is not long before the two begin to develop romantic feelings for one another.  Navigating the complexities of this new life, Manon must face questions about her sexuality as the line between professional and personal desire starts to blur.

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Film Review: Rien a Perdre (All to Play For)

ALL TO PLAY FOR (Rien A Pedre) (Nothing to Lose) (France/Belgium 2023) **

Directed by Delphine Deloget

 

Delphine Deloget’s ALL TO PLAY FOR is a poorer man’s or rather poor woman’s version of British director Ken Loach's social drams most notably CATHY COME HOME after his first igniting the international screen with the tale of a boy and his kestrel in KES.  Loach knows how to work drama into his characters, often manipulating the contents of his film against authority and government.  ALL TO PLAY FOR looks pale in comparison.

This frequently told tale pits a single mother against France’s social childcare services system.  There is nothing one has not seen before, which is a problem.  The mother, Sylvie played by Virginie Efira (most recognizable after Paul Verhoeven’s BERNADETTE) has her younger son taken away by France’s Child Services after the son, Sofiane (Alexis Tonetti) sets the stove in the kitchen on fire while burning himself trying to make fries.  Elder brother Jean-Jacques also known as JJ (Felix Lefebre) is away on trumpet practice while Sylvie is away at her very difficult job at bartending.  With no adult in the home, Child Care is never too quick at snatching the son to put him in a foster home, especially when Sylvie is not answering their calls.

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